Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
故事情节
Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.